Last hurrah-Character :: essays research papers

Edwin OConnors novel The Last Hurrah presents a view of the difficult and hard life of the Irish-American community in capital of Massachusetts of the 1950s. The author uses a number of characterizations to produce themes that relate to the political and sociable experimental conditions of this era. With a narrative style that holds the readers interest, OConnor leads you with the streets and alleys of the old city, giving you a brief look at old-time city politics. He does this through Frank Skeffington who is the main character. One of the characters OConnor used to make his hitch is John Gorman.John Gorman is quiet and somber. Gormans dedication to social structures and concern for worship and the family differ from the ideas represented by the candidate and the corrupt political leader. When talking with Gorman at a party, molly Riordan presents her view of Frank Skeffington, and is met with Gormans skeptical response. Molly says, Hes the best of them all, John, God love hi m. Theres not a night goes by I dont say a little prayer for him.(OConnor 85). Gormans response is a simple non-committal comment close the party and skeptically attempts to avoid demonstrating either commitment to Mollys remarks.Although Gorman and Skeffington have a close association, there is no intent of any loyalty that exists from Gormans view. He is not dedicated to the cause of Skeffingtons election, although that is a primary aspect of many of his interactions. Gormans odd sense of humor to a fault adds to his presentation of disbelief in regards to Skeffington. When discussing the topic of campaign issues that came up amongst Skeffington and his nephew, the nephew acknowledges that the topic did come up whenever they were together. Gorhams response, intended to bring up sacred symbolism as well as humor, which was, Ah well, thats natural enough, If you met the Pope, youd talk about religion. (O Connor 192). OConnors book is powerful because of its complexity of level s. There is a defined consideration for the plot and characterizations, but OConnor does not stop at this.